Peter McKinnon (3.5M followers, as of April 2019): Edgy thrill-seeker turned photographer and filmographer.And these photography influencers share just as much of their personalities as they do their professional knowledge. Interestingly enough, individuals (rather than corporations) are behind nearly all of these channels. These YouTubers have earned themselves enough subscribers to hit the top of their niche. Here’s our list of top photography YouTubers, from the big names to the lesser known artists who are creating outstanding video content. Photographers of all skill levels and interests can find a channel that speaks to them. Some channels are brim-full of eye candy, as the photographers vlog about their travels to exotic locations to capture stunning landscapes. Most channels have some type of educational aspect, sharing tutorials and tips, while others focus on equipment comparisons and reviews. It’s your turn.Photography channels abound on YouTube, and they cover all aspects of this rich visual art. We’re not always on our A-game and we all have bad days. Once again – we all take bad photos sometimes, no matter how many great ones we’ve taken before. This is a bonus “fact” that Manny adds near the end of the video. Bonus: You have to be better than your last photo Plus, if you use a lower quality UV lens, it can lower the image quality. I take good care of them, they’re in mint condition and they’ve all lasted me for years. I mean, I never used a UV filter to protect my lenses. We have discussed this a couple of times, and I tend to agree. All of us take bad photos, no matter how experienced we are. Experienced photographers don’t take bad photos Learning how to use flash is only an extension of this knowledge. Manny and Miguel put it nicely – you have to understand light in the first place and know how to use it. While I know how to use a flash, I don’t think I have to (at least not for what I do). Both Miguel and Manny believe this and always try to do it, and all I can say is that I completely agree with this approach. This way, both of you will enjoy the collaboration and you’ll end up with nicer and more natural photos. But I think we should put our subjects at ease.Īs a portrait photographer, you want your model to feel safe and relaxed in front of your camera. Now, Annie clearly knows what she’s doing considering her success and how pretty her photos are (although some would disagree). In the ad, she says that it’s not the photographer’s job to set the subject at ease. It’s not your job to set your model at easeįor this one, Miguel and Manny refer to an ad for Annie Leibovitz’s Masterclass. The editing should be all about clearing up tiny “imperfections” here and there, not making the entire skin surface smooth, often to the point it starts to look unrealistic. Then, their makeup has to be on point to hide blemishes and small “imperfections.” It’s up to you then to set the lighting to be flattering to their skin and make it look even nicer. Your model needs to have decent skin to begin with. The reality is that there’s much more to achieving it. One of the biggest myths is that you’ll achieve perfect skin by applying smoothening techniques in Photoshop.
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